Starting a Saturday evenings entertainment by popping into the New Hellfire Club for a free starter before the main course of a gig elsewhere is always a good idea.
I could of course be accused of being a bit biased in saying that as I am one of the NHC, but I wasn't there working, and instead I had just dropped in to see Elvira Stitt and Static Rock perform acoustically before heading to Broadcast to catch Nashville Pussy in Broadcast.
Having seen Elvira perform once before I fully expected a quality performance, but I didn't expect that the bar would be raised far beyond my already high expectations.
As an artist she has a firm grounding as an eclectic music fan, and it’s obvious on seeing a performance that her broad knowledge forms a solid backbone to what she plays.
In one song you can hear the cadence of a hip hop delivery in the vocals and then she can slip effortlessly into covering a Disney classic in a torch song style.
On paper the two certainly shouldn't work, but it does, and at no point is there a moment that it sounds forced.
Each song simply flows into the next and it is more akin to aural alchemy at play as seemingly disparate sounds are melded together to make a new sound that resonates confidently around the room.
It’s very easy to watch Elvira and consider that this is the start of a journey for her as an artist.
There’s something there that it is hard to pin down and point at as to where the magic lies, but it is most defiantly there.
Four piece rock band Static Rock are a whole different beast again, but what they share with Elvira is that they can also deliver a set that highlights that they can be considered as contenders in the music business.
Playing stripped down - and in that I mean without even having the vocals amped - they could have put themselves in the position of drawing attention to any weak spots that the band are carrying, but instead they showed that they have none.
Strong material, great vocal harmonies and all carried on the back of strong musicianship.
Even with requests of covers from the audience they casually approached them and didn't drop the ball regardless of how wide and varied the material was.
Coolios, ‘Gangsta’s Paradise’ had some fresh life breathed into it and in my head I was thinking that with Elvira providing some vocals it would have jumped from being well received to leaving people gape jawed in amazement.
Similarly the stalwart of decades of parties in
Glasgow that is Kenny
Rogers ‘The Gambler’ was dragged from the mouths of many a drunkard and given an
Now just think about that for a second.
From original material to covers of hip hop songs and finishing on a country classic.
There are not many that can do that, and yet Static Rock eased through it all unfazed.
Throw them a curve ball and they will knock it out the park.
With a support slot secured to open for Brit-Pop legends CAST in December it looks like Static Rock are on the cusp of getting a firm grip on the next rung on the ladder of success.