Not much has changed but we look a little older.
And in some ways it’s true, but in others that’s not the case at all.
Busted are back, and while it would be easy to cast a jaundiced eye over the reformation to fit with the stereotype of the older -, but still trying to be hip - curmudgeon music fan looking down my nose at the teenybopper icons, I just can’t find it in my heart to do so.
Well to put it in very simple terms there’s not a lot that anyone could comfortably hang a critique on.
A claim of not liking what they are doing is the airing of a subjective view, but to say they aren’t cutting it musically, or in the delivery of their material, would be a downright lie.
From the Blade Runner styled reboot of the Pink Floyd pig balloon floating past, to the darker dystopian angle on the animal farm pig masks that nudged the playful ‘pigs can fly’ tour title out of the frame, the band have stepped up and coloured their brand with much darker adult tones that eases visually towards Roger Waters territory.
The new music doesn’t reflect that, but it is far more introspective and mature as it veers into the adult orientated niche that the Goo Goo Dolls have such a firm grip on.
That tiny step musically does however make sense, as to go away as Busted, the teen dream scream of yesteryear, and come back reflecting all the ugliness of adult life without a slicker veneer would be career suicide.
So instead the visuals are a little ahead and the music is still transitioning, while the over all impression given is that they know exactly what they are doing.
Listen to new single ‘I’m Coming Home*’ next to ‘Crashed the Wedding’ and there’s nothing to link them, but with a careful eye on the running order of the hits and newbies the band avoid any jarring clashes, and there is arguable not even a hint of a dip in the crowds reaction as they lap up everything thrown at them.
Busted literally have this nailed down.
The preteens and teens of over a decade ago, - yes over a decade ago – and they are still enthralled by Matt, James and Charlie, but the hyper response that they keyed into has now been tempered by their own maturity and they are ready to be taken by the hand and guided towards the reality that will be Busted 2.0.
This changing gears career wise from a band that’s core audience is largely young and female into something that has a wider demographic appeal has proven to be far too difficult a stumbling block for so many others, and only time will tell if Busted can do it, but all the pieces are most certainly in place and if they fail to secure a second bite of the apple then there can be no blame laid at their feet as it will be more a case of wrong place and wrong time rather than a reflection on their efforts.
On leaving the cavernous Hydro there was only one thought that reared up in my head, and that was ‘well that just kicked the awful taste of McBusted doing that truly fuckin offensively pop punk by numbers abortion of a track ‘Air Guitar’ out of everyone’s mouth.’
Not a bad thing really.
*On listening to the electronica version from the studio it fails to come close to the guitar driven live rendition.